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Empty Frames: Solo Acoustic Demos

by Michael Garfield

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1.
Ian 04:17
2.
A Merry Mess 02:20
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4.
I dug my nails in your arm No blood but they left a mark You came to no harm But I still have the scars You hit me first but complained And landed me in suspension Because illegible pains Rarely merit attention And now the lessons endure Although the song doesn't change You're measured or you're ignored An indefensible claim And everyone in between Invisible or unseen We optimize our machines With only what we perceive These metaphors hide crucial depth But it's our lot to live with it Our egregores cannot protect The small and large they can't detect When they're seeing like a state They say they squeaky wheel's greased Campaigns get people released But when there's no one around Then that tree don't hit the ground And history's written by victors And evidence is suppressed Unless it registers Richters Expect it lost like the rest The integers rule common math But reals are far the larger set Your algebra cannot contain The novelty we generate When you're seeing like a state
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about

These are placeholders to stake and commit to record songs I love that aren't ready for prime time yet. A song ought to stand on its own and I hope these do, but this is basically me sharing my songbook with a feather in it for a bookmark. They mean a lot to me but I haven't found the time to give them a proper studio treatment yet. We have:

1. Ian - about my baby son, with maybe some Elliott Smith and (sleepy) Tenacious D and Lana Del Rey swimming around in there.

2. A Merry Mess - not sure exactly but a tip of the hat to Jeff Buckley and my friend Mitch Mignano.

3. The 120th Shrine - regarding The Legend of Zelda: Breath of the Wild, kind of a cowboy ballad since you're riding a horse a lot, but also gliding.

4. Seeing Like A State - with a nod to James C. Scott's book, about mathematically guaranteed injustice and the tragedy of being one of the ants out of a plane window.

5. Buried Together - for Nikki Taylor, with whom I intend to be interred, God Willing.

6. Frog Seven Green - a vignette of life in a hot tub under shade sails on the porch of a basement apartment nestled up close to the mountains in Santa Fe with a young family.

7. The Luminous Night - written after a soak in the healing hot mineral springs at Ojo Caliente, New Mexico — and performed live for the first time at The Santa Fe Institute. This is the last studio recording with my beloved 2001 Martin D-35 "Marianne" before boxing it up to send to its new owner.

8. Saccharine Music - written for my wife and her sister-in-law on the occasion of the latter's wedding.

Coming Soon:

9. You Know My Name - probably the first legitimate folk anthem singalong I've ever written; sounds to me like it is from the Garden State soundtrack.

10. Down to The Mystery Well - it's as much a mystery to me as anyone.

credits

released May 3, 2022

linktr.ee/michaelgarfield

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Michael Garfield Santa Fe, New Mexico

Singer-songwriter, avant-guitarist, and live electronic producer all at once, Michael's dynamic live shows and intricate albums takes listeners on emotional trips spanning folk tradition and the avant-garde.

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