Day Owl Vol. I

by Michael Garfield

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about

If Michael Garfield can be said to collect anything, it would be great gigs in strange venues – from The Cave Without A Name to the MAPS Psychedelic Science conference, from Black Rock Desert to all four stages in the Austin-Bergstrom International Airport.

Possessed by a passion for the feeling of spaces and determined to translate "vibe" into sound, Michael's increasingly all-improvised acoustic-electronic sets wed house concert intimacy with ravetastic cyberdelia in magical performances that draw down the spirit of a place into music.

Capturing both past and future in alchemical alloys where fingerpicking and hardware live PA join in soaring transcendental freestyles, this is music as adventurous as the stages on which it's performed. Half Zen calligrapher and half starship captain, Michael Garfield is building a cathedral of sound for our paradoxical Age of Transition.

#1: Flipnotics (Austin TX) 2013 03 13
#2 - 5: Head for the Hills Festival (Kerrville, TX) 2013 03 01
#6 - 10: Head for the Hills Festival (Kerrville, TX) 2013 03 03
#11 - 12: The Upper Decks (Austin TX) 2013 04 19

Album Art by Bonnie Goodson
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Listen to Michael on the Psychedelic Salon podcast:
matrixmasters.net/salon/?p=702

Share the shortlink to this page: bit.ly/dayowli

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Michael Garfield Austin, Texas

Lush, atmospheric, and ecstatic tunes erupting from the intersection of acoustic and electronic music – pedal-heavy. percussive acoustic guitar psych-western Cosmic Americana. Marrying the singer-solo-guitarist and electronic live producer, Michael welcomes listeners into driving and dynamic, emotional and groovy spaces spanning folk tradition and the avant-garde. ... more

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